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學古齋畫廊將在9月25日開幕的西岸藝術與設計博覽會為大家帶來白南準的作品《夏洛特Charlotte》（1995）。
夏洛特Charlotte, 1995, Mixed Media, 236x180x38cm
白南準電視影像中的夏洛特·摩爾曼Charlotte Moorman in Nam June Paik's video works
出生於韓國的藝術家白南準（1932-2006）一直被認為是影像藝術的先驅，並代表了超過半個世紀的影像藝術史。1950年代末，白南準開始與新達達主義藝術家一起活躍於藝術界，以「激浪派」之名為世人所知。
白南準在1960年代前往紐約，此後便開始與先鋒派音樂倡導者夏洛特•摩爾曼（1933-1991）合作。直到去世，夏洛特•摩爾曼一直是白南準最主要的合作者。白南準試圖將電視、影像技術和人的身體結合在一起這一意圖在作品《夏洛特Charlotte》（1995）中表現得最為明顯。摩爾曼為白南準帶來創作靈感，並成為他自發的共謀者。白南準由此創造了一系列重要的基於行為的作品，和更多基於物的作品，尤其是雕塑和裝置。白南準還曾專為夏洛特•摩爾曼創作了一些作品，包括《機器人歌劇Robot Opera》（1964），《作為活雕塑的電視胸罩TV Bra for Living Sculpture》（1969），《電視大提琴TV-Cello》（1971），以及1995年專為夏洛特•摩爾曼創作的《夏洛特Charlotte》。
Korean-born artist Nam June Paik(1932-2006) is generally acknowledged as a 「pioneer of video art” and has represented history of video art for over half a century.
End of 1950s, Paik became involved with the Neo-Dada artists, collectively known as Fluxus. Upon his arrival in New York in 1960s, Paik began working with the avant-garde cellist Charlotte Moorman (1933-1991), who would become his primary collaborator until her death. His attempts to unite television and video technology with the body are most evident in their projects together. Moorman became Paik’s muse and willing coconspirator with whom he produced a series of important performance-based works, alongside his own more object-based experimental sculptures and installations. He crated many works specifically for Moorman, including Robot Opera (1964), Opera Sextronique (1967), TV Bra for Living Sculpture (1969), TV-Cello (1971) and in honor of her, Paik created Charlotte in 1995 especially.
學古齋畫廊（上海）
上海市普陀區莫幹山路50號9號樓 200060
Bldg 9, Moganshan Rd., #50 Art Zone,Putuo Dist., Shanghai, P.R.China
T: +86 21 6205 0699
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www.hakgojae.com
學古齋畫廊（首爾）
大韓民國首爾市鐘路區鐘路區三清路50號110-200
50 Samcheong-ro, Jongno-gu, Seoul, Korea 110-200
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